TRANS-ETHNIC COMPOSITION

One Paradox in comtemporary music is that impelled composers of late nineteenth and early twentieth centuries to create a national music has now become the driving force behind the internationalist movement. in both cases the composer was inspired by the music of the people of the world, no matter how strange their music appeared to be in comparison with the musics the composer already knew. Bartok was the central figure in this transition.

Twentieth century music history is in one sense, the history of blind alley. natural developments were nearly thwarted and artificial ones imposed upon the musical public. One of the reason for this was the peculiar European intellectual habit of separation and distortion. Concepts which should be part of man's natural activities (dance, sex, song) are divorced from their normal settings and dealt with independently ; eventually this leads to artificial environments, gross distortion, and mental illness. Art has both reflected this and itself suffered from it. Oriental music and ways of life, can be instructive even healing for westerners.

Trans Ethnic music is one of these developments so rich in possibility ; it deserves thorough elucidation simply because so little organized writing has been done concerning it.


originally by Dale A. Craig

MUSIC and COMPOSITION Evaluated from CONCEPT of INTERKULTURAL.

About problem of intercultural meeting

Observer Of Music of Anselm Ernst affirm : "Music now mean artistic business [of] regular yg tighten, commercialism, consumption, profession. Artistic product have tidy scientifically and use tehnologi, to become mass product. Music have [do] not represent again a[n important aesthetic expression or have the character of requirement of esensial for the processing of and congeniality of life"
Wilfried Gruhn tell : “do European it is true can comprehend overseas music, or music from outside only considered to be exotic flavours in cultural multifarious? do this loo like new look colonialism?”

An intercultural Meeting always contain change and influences as a phenomenon of yg natural and intact. But not to european countries of yg refuse other cultural rights to expand, including altering something in its own context. In fact a[n culture of yg “ pure“ [is] not at all there [is]. This only desire [all] man of science to demonstrate attitude of etnosentrisme their. They are only mendegradasikan a[n other culture become one of [the] neutral medium which [is] non-historis and is static, their cause assume and center of dinamisme cultural [of] yg “ pure“ only residing in Europe. In fact oral culture even if always expand, just only less realized, and this fact [of] non-recognition by various man of science, they are only cultural mendegradasikan [of] others.

New Age And World Music


Basically music world have is meaningful [of] age new. This wave have expanded some state, specially [in] Germany and America, multifariously activity like courses meditate, chi tai, natural medication. Psychological medication etc. There are also provided [by] therapy music [is] appropriate tones [of] frequency dgn various star. People in essence of yg look for orientation, they will be given fully what wanted or required. music dsini only appliance to realizing [him/ it], its pattern seen very is assuring. Basically age new in its materialization is not other than a[n new religion, but a[n religion which tend to to vanish ability of human being to think. Why that way? Because in philosophy of new age is elementary pattern age [is] unity and related/relevant between everything.

Elementary pattern of new age [is] “ all [is] same in fact” human being have to return at one particular awareness of well-balanced, consisting with elements and nature of spiritual, as according to elementary order [of] universe. In the effort to prove unity of world of Joachim Ernst Behrendt have a notion : “ phenomenon that [at] each Ianguage which is [is] same more or less the quality of sound one of [the] word, the word meaning always [go] to [at] [is] same something that”.

In the reality exactly on the contrary, process to place lower x'self below/under this ideology exactly vanish ability to face this world variety. such This [of] Liquidation by Peter Sloterdjik : looked for orientation type [do] not represent orientation strengthening Its its[his], but only vanishing or weaken individualitas for the shake of role of ideology, because ideology was explaining and also unite everything in concept of New Age.

electroplated from Contemporary Music & Problem of Interkultural Dieter Mack

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IMPRESSIONISM IN FRANCE

Stream of Yg Expand [in] this French, begining because spirit [of] to show Identity state of France natural [of] loses after World War I. state of France natural [of] loses [in] all area for example economics, social, politics, industrial, and the other.

America [is] state of yg attack Europe of dgn its products, start from film, fine arts and music. Many American films [of] famous yg with “ Hollywood“ its turned around [by] [in] French cinema. American Music [of] yg [in] bringing with Jazz and Blues its. While from within country alone incapable of making balance to foreign incursion, because of Economics which [is] collapse.

Finally [all] French actors start to grow love [at] its own state art, after experiencing of loses after finishing of world war. They want to be host [in] its own state, they really conscious with national ism ( nationalism), and usage of kernel of nationality style from an certain area.

Masterpiece recommendation to be heard

• Debussy : Prelude a l’Apres-midi d’un Faune (Prelude to the afternoon of a faun : impressionism of France in music.)

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CLASSIC MUSIC (1750-1820)

Classical In General

Classic Term

Classic term and klasisme [is] often weared for music, but its meaning [do] not be clear so. According to classic Encyclopaedia Indonesia [is] a[n masterpiece ( generally masterpiece create past era) valuable yg [of] high erudite art and also have, rate [to] of[is beauty [of] and will not discolour during the time.

Classic Reaction To Barok

At 19 century people believe that year 1750 ( pass awaying JS Bach) viewed as [by] early new era [is] so-called classical, but [at] thn 1730 diprancis expand style of galan joining forces with music style of italia ( opera of Buffa,Sonata,Simfonia). Thereby there are a[n transitory time of[is so-called Rokoko or Classic Pre ( 1730-1760).

Background History

Start century 18 expanding Philosophy of Aufklarung / clarification where human being pass its contemplative faculties reach an congeniality of new x'self, more and more adult and is free. This matter see in :

· Declaration HAM in 1776.

· French revolution 1789

· Ending of it slave system, religion tolerance and secularizing.

Classic Characteristic Music.

• Nuance Contrast : Classic Composition Contain nuance of yg fickle at once from gladness;joy [go] to sorrow but remain to in control of yg tight for its transfer
• Ritme : classic music have properties of pattern of ritmik, covering and sinkop of pause which [do] not be anticipated, and also many change of long tones to short tones.
• Tekstur : different with final polifoni tekstur [of] barok, classic music basically homofonik..
• Melody : classic melody have symmetrical nuance [to] and balans because its melody [is] made of [by] two frase which [is] of uniform length.
• Dynamics : bringing growth of emotion by gradual, namely and cressendo of decressendo.

CLASSIC MUSIC FORM

Sonata form :

1. Eksposisi :

2. Development :

3. Rekapitulation

Simfoni form :

1. Shares Quickly

2. Tardy Shares

3. Shares Loo like dance

4. Shares quickly

MIDDLE AGES MUSIC

Middle Ages ( 450-1450)

1.Middle Ages Music

During thousands of Europe history year unfolded by a period of[is so-called Middle Ages ( Middle Ages). Started with monarchic disintegration [of] Romawi, period started with “ darkness century” ( Dark Ages).

Function Cathedral very is predominating [of] existence of science, including music. Most musicians by then [is] laboring priest for the sake of church. Most of middle ages music [is] vowel music though some instrument type become attendant. Only some manuskip giving points the existence of music instrument. But [about/around] year 1100 music instrument start [is] gradually used [by] church officially among others organ, but existence of Organ [in] complain because its voice which too hard so that can disturb the way religious service.

2. Gregorian Chant)

Songs of Gregorian [is] formal music of church of katholik Roma or often [is] also referred [as] [by] planus cantus, what consist of melody which stringed up for the text of Latin Ianguage and warbled without accompaniment. Song Tekstur of Gregorian have the character of monophonic and melody instructed to reach divine blessing. Compared to its secular songs it[him] song of Gregorian have the character of softly, depicting other world and deputize church voice. Flexible Ritme

Song of Gregorian emerge from name of Pope of Gregorius I ( Glorious Gregorius) which have succeeded to readjust liturgy of katholik, but [at] fact of history note that song of Gregorian emerge to continue during for centuries, for example hymn of yahudi sinagogi [at] first century after Masehi.